Identity Portrait Making
Pre-Work
Prior to engaging in the professional development, we ask that you take some time to complete the following action items:
- Find an artist’s image of a person (in your home, on the internet, from a museum, by guest artist Sarah Maude Griffin–HERE) that you connect with on some emotional level. Consider a familiar emotion, situation, event or person that you relate to within it.
- If it’s a digital image, please put a copy of it into this folder so we can show it and discuss at the program. If it’s a physical image, either bring it with you if you’re willing to transport it, or perhaps take a photo if it.
- Spend five minutes free-writing about the image: What questions does the artwork raise? Why did you choose this particular piece? Think about memories, emotions, and sensory connections you may have with the artwork you chose.
- Be prepared to introduce the image you chose to the class (project image or bring a printed version) and explain your connection to it by answering:
- What elements of this work drew you to it?
- What memories, emotions, or sensory connections does this work elicit from you?
- Are there elements of this work that inspire you or change the way you think about yourself?
Here are a few others to get you thinking:
- President Barack Obama by Kehinde Wiley, 2018
- Propped by Jenny Saville, 1992
- The Soaring Hour by Delita Martin, 2018
- Big Daddy with Hats by May Stevens, 1971
- Wigs (portfolio) by Lorna Simpson, 1994
- Triptych, August 1972 by Francis Bacon, 1972
- What’s precious inside of him does not care to be known by the mind in ways that diminish its presence (All American) by Amy Sherald, 2017
- Alma Haser, puzzle portraits

This experience will begin with reflection on and discussion of participants’ personal, social, and cultural identities through story sharing and use of identity wheels. Artists Seexeng Lee, Brian Sago and Sarah Maude-Griffen will then work with you to deepen your own self-study, by creating personal identity portraits (no experience necessary!). The day will end with a facilitated gallery walk where participants share and discuss their portraits.
“There is something unique that takes place when you look into your own eyes and face and paint your own portrait. Your own face suddenly becomes a mirror to your soul, the real you, and strange things happen as you paint. I would recommend it to anyone in pursuit of the prize, ‘know thyself’. Do it often, you will be amazed at what you discover about yourself.”
Marion Boddy-Evans
- How do our own individual identities influence our sense of belonging in communities?
- Why is it important to first know ourselves before we can effectively interact with others across difference?
Facilitator(s):
Seexeng Lee
Brian Sago
Sarah Maude-Griffin
Location:
Upper School drawing and painting studio